Miles, Monk, Byrd, Coltrane, Dexter, and Parker - what do they have
in common? They never produced nor composed a musical score. The
first African-American to compose a movie score was Duke Ellington.
Yes, Duke leveled the playing field for African-Americans to
compose theatrical scores. However, today’s African-American
composers such as Terence Blanchard have surpassed Duke’s
accomplishments in the score business. Despite being
labeled as a traditional Jazz trumpeter, Terence Blanchard has
continued to combine Orchestral music and Jazz to create Classical
Jazz.
The Caveman’s Valentine score combines folk, jazz,
classical and traditional orchestral styles to create a dramatic
and creative imagination for all listeners. Oddly this score seems
to be dark, romantic, mysterious, and secretive. Because of
Blanchard’s expertise with this genre of music, Blanchard has the
ability to combine these forms of music to portray the
African-American culture effectively, particular in movies. Not
since Miles Davis has an individual been able to convene these
forms of genres effectively.
The standout track is “Musical Rampage.” “Musical Rampage,” in
this cue, Blanchard transforms a piano solo to an orchestral set to
create an imaginative melody but with a full orchestral theme.
Overall, I am pleased with this score and the creativity it brings
to your ears and imagination. There are very few movies these days
where we want to read the credits and listen to the score. I attest
to all musical lovers from Hip- Hop, R&B, Funk; whatever… to pick
up this album - you cannot go wrong. Even if you buy this album and
listen to it just once in the future, I guarantee this album will
have a profound impact on you and particularly your kids or maybe
your grandkids. I have to admit, I was one of those young
individuals to dabble through my father’s record collection out of
curiosity to listen to the greats such as Miles, Monk, Coltrane,
Parker, Byrd, Vaughn and Hartman. If not for these historical
artists, I wouldn’t have heard or discovered a Terence Blanchard.
Step aside Bach and Mozart; Blanchard will be heading your throne
soon.
- Lee “Kansas” Moore
Any comments or questions? mailto:lee@blackfilm.com
Visit the Archives to see my interview with Blanchard…till next
time.