September 2002
Satin Rouge
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Reviewed by Wilson Morales
It’s not always easy to hide talent. Some people have dreams but can’t
fulfill them, due to obligations or circumstances. Dancing has all sorts
of styles, but one form has rarely been displayed on screen. Belly dancing
is a style that induces sexual sensations in a person. In Raja Amari’s
Satin Rouge, belly dancing is the key that unlocks the talents of a repressed
widow while also releasing a sensual desire within her. While investigating a suspected liaison between her rebellious teenage
daughter and a guy from “town”, young widow Lilia becomes drawn to an
exotic nightclub of Rubenesque belly dancers and pleasure seekers. Curiosity
has her strike a relationship with another dancer until she decides to
free herself from her own repressed state and gets on the stage. Not only
does she dance, but she dances with such fire that she What makes “Satin Rouge” an adorable film is that Director Amari uses the belly-dancing element to explore the prevailing social values and to comment on the emotional numbness of modern life. Hiam Abbass as Lilia is a beautiful lady whose appearance and character grows as she goes out at night. The sets and the costume are well placed, and the dance scenes are a pleasure to the eye. The plot of the romance is well developed, as it takes twists and turns before it irons itself out. | |||||||||||||||||
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