October 2008 | blackfilm.com | Horror Films Featuring African Americans

October 2008

Horror Films Featuring African Americans

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Horror Films Featuring African Americans
BLACULA, J.D'S REVENGE, GANJA AND HESS, ABBY

Source: The Hollywood Reporter

October 24, 2008

Blacula' is the story of Manuwalde, an African Prince. This movie presents a modern version of the classic Dracula story in a very chilling and inventive way. In 1780, after visiting Count Dracula, Manuwalde is turned into a vampire and locked in a coffin.. The scene shifts to 1972, when two antique collectors transport the coffin to Los Angeles. The two men open the coffin and unleash Blacula on the city of Los Angeles. Blacula soon finds Tina, who is his wife, Luva, reincarnated, and gains her love. Tina's friend, Dr. Gordon, discovers Blacula is a vampire and hunts him down.

J.D's REVENGE - The story centers around a Isaac (portraited by Glynn Turman), a young college student studying law in New Orleans. During a hypnosis act, he becomes an unwilling host for the restless spirit of J.D. Walker, a hustler killed during the 40s. J.D. Walker ran numbers during World War II and was murdered by Theotis Bliss, who also murdered his sister, Betty Jo, because of the secret she held about her baby daughter. After being discovered with Betty Jo's lifeless body, Elija Bliss (Gossett Jr.), the thought to be father of Betty Jo's child and brother of Theotis, accused J.D. of being the killer and was gunned down by the real killer. J.D. returns 20 years to reveal the truth to Elija and to kill the murderer.

GANJA AND HESS - A scientist stricken with an insatiable hunger for blood dominates this strikingly atmospheric drama. Dr. Hess Green (Duane Jones), a wealthy and respected African-American anthropologist, is assigned a new assistant, an intelligent but unstable man named George Meda (Bill Gunn). One drunken night, George stabs Hess with a dagger from the ancient African tribe of Myrthia and then kills himself. The Myrthians were cursed with a thirst for human blood, and, by the time George's wife, Ganja (Marlene Clark), comes looking for him, Hess has developed a similar addiction to blood. Hess and Ganja fall in love, and they soon marry, but Hess infects his new bride with the Myrthian curse, which gives them eternal life, but at a terrible price. Actor, playwright, and novelist Bill Gunn was hired to write and direct a low-budget black vampire movie, but instead he delivered a thoughtful, impressionistic film that uses addiction to blood as a metaphor for African-American cultural and spiritual identity (and never once uses the word "vampire"). Ganja and Hess proved too deliberately paced and self-consciously surreal for the producers, who chopped it to 83 minutes, removed Sam Waymon's superb musical score, and retitled it Blood Couple. This mangled version was for many years the only one available, and it appeared under six different titles on home video before Bill Gunn's original version was restored for DVD release in 1998.

ABBY- An intriguing blend of 70's "blaxploitation" and Exorcist clone, William Girdler's Abby is an effective and chilling film that incorporates elements of ancient African spiritualism into the conventions of the demon-possession genre. The story begins in Nigeria, where Professor Williams (Blacula's William Marshall) discovers a suggestive-looking fetish artifact in a cave once used by members of the sinister cult of "Eshu." When the relic is opened, it releases a foul-tempered Eshu demon which quickly kills several people and pursues Williams all the way back to America, where it soon enters the home of the professor's son Reverend Emmett (Terry Carter) and takes possession of the Reverend's proper and lovely wife Abby (Carol Speed). Emmett first begins to suspect something is amiss when Abby attempts suicide during a church picnic, but only after she begins vomiting in church and tormenting his congregation does he realize that her condition may not be mere insanity, and he consults his father for help. By the time the two men finally corner Abby in a sleazy bar, she has already seduced and killed several men. The exorcism is performed right in the bar, as dashiki-clad Williams incorporates both Western and African religious rituals to purge the foul spirit from Abby's body. Although Warner Brothers sought legal action against this film for its similarities to The Exorcist, this is no more of a rip-off than countless Italian variations on the formula, and its strong use of African religious traditions gives it a strength lacking in many low-budget blaxploitation films of the era.

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