December 2002
Narc

Reviewed by Chika Chukudebelu

Narc

Narc Movie Poster
Distributor: Paramount Pictures
Director: Joe Carnahan
Screenwriter: Joe Carnahan
Producers: Diane Nabatoff, Ray Liotta, Michelle Grace, Julious R. Nasso, Tom Cruise, Paula Wagner and David C. Glasser
Cast: Ray Liotta, Jason Patric, Chi McBride, Busta Rhymes, Anne Openshaw, Richard Chevoleau, John Ortiz and Krista Bridges
Running Time: 100 mins
Official Site: http://www.narcmovie.com/home.html


Jason Patric and Ray Liotta in Paramount's Narc - 2002

Jason Patric in Paramount's Narc - 2002

Ray Liotta and Jason Patric in Paramount's Narc - 2002

  

Joe Carnahan’s tale of Officer Nick Tellis’s (played by Jason Patric) struggle to keep his distance from the dangerous trappings of life undercover is filled with the fast-paced action and mind-spinning suspense that you expect from a drug drama. Appropriately titled, Narc examines the corruption within the ranks of the narcotics department investigations and questions whether the powers behind the force are as committed to the boys representing it as the boys are committed to the force.

Nick Tellis is under pressure. When an innocent pregnant woman gets shot in the crossfire, Internal Affairs is on his tail questioning his ability to remain levelheaded while undercover. Meanwhile, his wife (played by Krista Bridges) at home reminds him that with their son who is only a toddler, there is too much to lose if he goes down in the line of fire and it’s past time to take a desk job. When his superiors bring him in to “consult” on a case, the plot only thickens. Partnered with Henry Oak (played by Ray Liotta), the two set out to find who killed Oak’s former partner in the line of duty. Recognizing how the whole narcotics world changes him, Tellis’s wife knows this isn’t just a regular “consultation.” As the story unravels, several scenarios are offered as options as to what really happened, but the truth is always stranger than fiction.

The best parts of this movie are definitely at the very beginning and the very end. The pace of the story in the middle just doesn’t keep up as I found myself creating mental to-do lists and trying not to doze off. Traffic it is not. Liotta’s portrayal of the embittered partner of a slain cop and the storyline of the stressed out wife of a cop who wants nothing more than for her husband to quit the force are a little to cliché at times. But Carnahan spins a very good story and if you can hold out until the end, you won’t be disappointed.

 

 

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