June 2002 Lovely
& Amazing | ||
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| Reviewed by Wilson
Morales
Nicole Holofcener has a knack
for telling stories from the female perspective. In her first film, “Walking &
Talking”, she told the tale of how two best friends relate with each other when
one is getting deeply involved with her boyfriend and spends less time with the
other. That film was amusing and well received. In her latest film “Lovely & Amazing”,
Jane Marks (Blethyn) is a middle-aged
woman who worries about her figure. She has three daughters who are totally different
from each other. Michelle (Keener), the oldest one, had the most promise to go
somewhere when she became homecoming queen as a teenager but finds herself unemployed
and in a loveless marriage. Elizabeth (Mortimer), an aspiring actress, feels her
body is not up to par when she’s turned down for a role in a movie and African-American
8-year old Annie (Goodwin), Jane’s adopted daughter, eats all the time and innocently
goes through puberty. When Jane goes in the hospital for liposuction, Michelle
and Elizabeth struggle to take care of themselves as well as Annie. Michelle,
never having worked a day, finally gets a job at a photo shop and has a “graduate”
affair with her teenage boss Jordon (Jake Gyllenhaal). Michelle, feeling depressed
after losing a role in a film, dumps her boyfriend and goes out with a TV star
(Mulroney). When Lorraine (Ellis), Annie’s “Big Sister” can’t handle the In this character driven film, Holofcener has written a very sweet, serious, and at times funny film that’s worth recommending. All of the actors are terrific. Keener shows range in her character as she finally succumbs to the fact that she finally has to “grow up”. Mortimer is very bold especially in her eye-popping and revealing scene she has with Mulroney. Goodwin is amazing as the 8-yr old. Some might say that the actress is too old to play the role because she acts with so much intelligence for such a young character, but this actress captures the film with her attention-grabbing scenes. The one flaw one may see in this film is that the issue of race is fully examined in relation to Annie. It’s brought up, but not developed enough. There are a lot of deeper issues in this film that most films don’t focus and it’s a credit to Holofcener that she brings it out. Some scenes may be played for laughs, but underneath lies an insightful look at the female point of view towards herself and life. | |||||||||||||
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